There’s no more appropriate place for the sale of great R. Lalique items than Paris. Rene Lalique spent most of his life in Paris. He lived and died in perhaps the greatest of the European metropolises. Most of his inspired and unique works were created there, and it was there in 1900 and again in 1925 that Lalique rose above the fray; rose above the crowded field of artists and designers, and left his contemporaries behind as he captured the attention and the imagination of the world.
Many of his works, both unique and commercial show a heavy Japanese artistic influence. In a way, you could predict that perhaps the greatest of all French decorative artists, growing up in the rich pastoral countryside would embrace the natural world motif as a primary artistic expression in the same way that countless generations of Japanese artists had done before him.
But you could not predict the new heights to which Lalique would take this traditional expressive motif, as he applied his interpretation of the surrounding world not only to artistically unique objects, but also to the mass production of the new art glass which he brought into the homes of so many people around the world. Echoing an old 20th century American summer camp fireside story, the “foo is on the other shoot”. For today, a whole new generation of eastern artists is trying to build upon the works of the great Frenchman; works that stand squarely on the shoulders of their own native ancestral designers.
So it is only fitting that the collection of Tokeo Horiuchi, the enthusiastic collector of turn of the century French decorative art; art which so clearly echoes the motifs of his homeland, would be destined for sale not in Tokyo, a center of high level natural world artistic efforts for so many long past generations, but would instead be brought to Paris, the scene, the home and the leading light of the great wave of the genre that brought Lalique’s work not just to one city or one country, but to most of the civilized world.
It’s also fitting that in a sale heavily laden with so many of the names you would expect to hear when assembling an entourage of the great decorative arts achievers of the day; names like Brandt, Cartier, Baccarat, Daum, Dunand, Frere, Galle, Guimard, Jallot, Majorelle, Sevres, Mackintosh and Morris; that the high seller in such a sale would be a non-commercial object made for the very 1900 exposition which was the foundation event for the assemblage. Yes friends, in the rural Midwestern United States, an area not unfamiliar to this writer, they call it a rail or a railing. And no, when they say rail, they aren’t talking about the bird family that includes the coot, though there are quite a few old coots ** and old railbirds *** back in the Western Reserve ****.
Heck, when you think Midwestern railing, you think of a split piece of timber laying horizontally between two posts somewhere outdoors that keeps your livestock in place, and not exhibition visitors both astonished and at bay. For something like that, you’d need a fancy name and material other than timber, and in Paris for a high seller they had both.
Cire perdue bronze, in the form of a nude butterfly woman; a rail piece that can stand on its own with no fence posts needed :). And a railing that can stand on its own when compared artistically and monetarily to the best of the best in the 1900 design world. Oh yea, and it’s not a railing in Paris, it’s a balustrade…. a great French word that means “railing”. So yes, there are thousands of miles of balustrades in the rural midwest, but of course most of the inhabitants (the cows AND the people) can’t speak French so they don’t know it!
There were 137 lots in the February 16th sale at Sotheby’s, of which 17 were the works of Lalique. Against an estimate of €200,000 – €300,000, the great Femme Ailee rail sold for a hammer price of €1,050,000 and a premium inclusive total of €1,240,750. At today’s exchange rate of about 1.375 dollars to the Euro (a rate used for all other approximate dollar prices in this article), the railing part made $1,706,000.
This same railing had previously sold at Christie’s New York Rockefeller Center Salesrooms as Lot 111 on December 10th, 1998 where it made $134,500 including the buyers premium *****. That’s less than 1/12 of the current price! It is one of five railing parts (having three different designs), several of which are shown in an iconic photo of the Lalique display at the 1900 Exhibition Universelle in Paris.
The sale price is likely the 2nd highest price ever achieved at auction for a single work by Rene Lalique, the Lady Trent Doors being the highest. We can safely say it’s the highest price at auction for a Rene Lalique Railing piece and it most definitely was the high selling item in the entire Sotheby’s sale.
Another new high seller for Lalique, and a world record price at auction for a Lalique Pocket Watch, was the very cool Butterflies and Bats Pocket Watch. It was also the 2nd highest selling lot in the entire sale, outselling an amazing Bureau Aux Archidees Louis Majorelle Desk! The small 2 inch wide jewel of a watch made an all-in €696,750 against a pre-sale estimate of €150,000 – €200,000. In dollars it’s about $958,000.
After the watch, things fell off really quickly (just kidding), as the third high seller for Lalique and fourth for the entire auction, the quintessential nude female pendant with comporting chain, sold for €312,750 or about $430,000, once again blowing out the estimated price of €100,000 – €120,000.
Fourth in line for price honors was the 9 centimeters long and stunningly realistic enamel, gold, silver and diamond Butterfly Brooch which hit €300,750 all-in, or about $413,000 against an estimated price of only €60,000 – €80,000.
Fifth in the price department was a fabulous and so R. Lalique Brooch featuring the classic Lalique drop baroque pearl under a female face spreading to detailed enamel work. The estimate was €100,000 – €120,000 but the price was €216,750 or about $298,000.
In some ways the most surprising price of the sale was for lot 126, a clear and frosted Sauterelles Vase with patina that against a reasonable to strong estimate of €4000 – €6000 made an all-in €13,750 or about $19,000.
All in all, of the 17 Lalique lots, 16 sold, the only exception being the lowest estimated of them all, a Font-Romeu Vase with heavy patina estimated at €2500 – €3500.
The 16 sellers made €3,410,975 or $4,690,000 making this the highest selling group of R. Lalique at any single auction in history. Quality not quantity was key. Furthermore, every one of the 16 lots that sold made an all-in total that exceeded its high estimate. The average price for the sold lots was €213,186 or $293,000. An amazing group of numbers and another great day for the great Rene Lalique.
** In the U.S., an “old coot” is a kind of a simple minded harmless older person. But you can add some words like crazy or senile to the beginning to give it a more robust and a bit less harmless meaning.
*** A “rail bird” is a member of the rail bird family, which as we mentioned includes coots. But if you put the two words together, “railbird” in the U.S. is any sports enthusiast, but specifically a horse-racing fan who sits on, leans on, or hangs out near the track rail at horse races or workouts.
**** At the time of the founding of the USA, the 13 colonies agreed to compromise many of the land claims found in their original land grants, specifically the ones that gave them all the land to the next ocean. In return the new government assumed the States’ debts from the Revolutionary War. When Connecticut gave up its expansive land claims, it retained a claim to over 3,300,000 acres on some land in the Northwest Territory that was set aside for future settlement including land reserved for those who lost their homes in the war. That land, which now comprises part of Northern Ohio, was (and still is) called the Western Reserve; land reserved in the west. If you go there today, and head out east of Cleveland (named after the head of the Connecticut Land Company survey crew Moses Cleaveland … a printer dropped the first “a” from his name to save space) to Chagrin Falls and the Chagrin River Valley, you’ll find an amazing idyllic architectural and geographic make-up very much like the old Connecticut countryside. And if were wondering, 3,300,000 acres would equal nearly 6% of the entire UK.
***** The sale catalogue from the 1998 Christie’s New York Sale on December 10, 1998 is available for purchase (including the sales results) in the Decorative Arts Catalogues section in the Library here at RLalique.com. This Library section alone has nearly 500 different auction catalogues of sales, all of which include some Rene Lalique works in the catalogue. These are in addition to the separate Library section which is devoted to totally Lalique Auction Catalogues. Over 100 of those are listed there for sale.
Rene Lalique items continue to get strong prices throughout the world at auction, a good-looking Red Poissons Vase on April 4th in Paris being no exception. Aguttes auction house offered a nice selection of around 15 R. Lalique items at their sale of 20th Century Decorative Arts that day, with the high seller being a Console Table made by Charles Bernel from drawings by Rene Lalique for the Lalique Pavilion at the 1925 Art Deco Exposition In Paris. The rectangular marble table with carved supports made just over €50,000 all in.
But it’s the next high seller, at €41,628 all-in against a pre-sale estimate of €16,000 – €18,000 that is most interesting in terms of the current market. That price was paid for Lot 67, the patinated red glass Lalique Vase covered with fish. The price for the Poissons Vase translates into about $55,000 which is almost certainly a record price for a Red Poissons at auction. The Lalique signature shown here was inscribed on the vase.
Third high seller in this same sale was a great looking rare 
The wonderful glass and nickel plated steel frame double doors were exhibited in 1929 both at the Salon de la Société des Artistes Décorateurs in Paris, and also at Breves Galleries the same year. They were then installed in the home of Lady Trent, the patron for the famous 
Rene Lalique results at Christie’s Paris “L’âge d’or du rail – Souvenirs de la Compagnie Internationale des Wagons-lits” were oriented towards the high end, continuing a long string of generally very strong sales prices at auction for the works of the Great Lalique. This strong price trend has been in place for several years, and the rare Lalique items in this train related sale conducted by Christie’s followed and extended that trend.
The intrigue amongst the various competing interested parties for rare and high quality R Lalique at auction is often worthy of Orient Express plot status. In this rare instance some of the offered items themselves can also be said to have reached that plot level as well.
This was followed by the decorated wood with glass inserts panel Bouquet De Fleurs which at roughly 32 inches by 15 inches, made €67,000. Lot 148, another slightly different 9 piece Figurines Et Raisins Panel, got what would turn out to be 2nd place in the Lalique high sales compartment at €91,000, and the third high selling lot of the entire auction. Fourth place for R Lalique went to Lot 147 (pictured), a restored maquette for a compartment featuring R. Lalique panels, which made €53,800.
In 1860, the year before the American Civil War started, 10 year old Jesse Boot of Nottingham England began helping his mother run the family medicine shop when his father John died. By age 13 he left school to concentrate on his work in the shop. In the ensuing decades, Jesse would turn the single medicine shop into the major national chain Boots the Chemists. 60 years later in 1920, he sold control of the “Chemists to the Nation” to an American company. Jesse died on the Channel Island of Jersey 11 years later in 1931.
Boot was also a philanthropist, especially in Nottingham and in Jersey. For one of many examples, he donated the land for what is now the University of Nottingham, which opened in 1928, where the Jesse Boot Chair in Chemistry was named in his honor.
An organization named The Friends of the Glass Church has been set-up under the auspices of the Lieutenant Governor of Jersey, Lieutenant General Andrew Ridgway, to raise funds for the renovations. They have already raised approximately £140,000 toward the project. Updating of the roof was finished in 2010. Also the States of Jersey has approved a matching funds grant of £125,000. Phase two, which is the refurbishment of the bell tower, bells, and some asbestos removal, should be completed in early October, at which time the church will re-open.
St. Matthew’s home, the island of Jersey has a rich history owing to its location between France and England. It has a population of around 100,000, and both French and English are spoken there. Jersey is a separate possession of the crown; it’s a dependency and not part of the United Kingdom. It even has its own currency, though several other currencies also circulate on the island. It’s a crossroads of cultures and activities.
Rene Lalique moved in 1902 to a new residence and workshop at 40 Cours la Reine in Paris. The building was a renovation totaling five floors. The first two floors were show and retail space for Lalique’s expanding business. There was also Lalique’s workshop and Lalique’s residence above.
If you are in Paris though, you may have trouble finding the doors at 40 Cours la Reine. Why? Because the street has been renamed to 40 Cour d’Albert!
And don’t forget, you can find links to all resources related to Rene Lalique Architecture at RLalique.com in the 
And lest you be left in wonder, yes, World Headquarters is not without its own great glass and metal work door. Notice all the similarities? The great Lalique doors have glass and our door has glass. The great Lalique doors have metal and our door has metal. The Lalique doors open and close and our door opens and closes. Pretty similar right? It’s almost freaky the number of things the World Headquarter door has in common with the Lalique doors. Too bad it can’t hold a candle to* the work of the great Rene Lalique 🙂 Hmmmmm…..
*”Can’t hold a candle to” is an expression from the days before electric lights. When a person had to do some work in the dark, it might require a helper to hold a candle to illuminate the work area. Simple job, holding the candle. Of course, if your skill level or attention level or work ethic was so low that you could not properly perform the task of holding the candle it would put you in a negative light (no pun intended on the light thing). Anyway, can’t hold a candle to whatever, became a phrase to denote low talent or low worthiness by comparison to something else.
For example, there is no website in the world about Rene Lalique and his works that can hold a candle to RLalique.com! Don’t know how we thought up this great example, it just popped in our heads!
An apparently surviving Rene Lalique statue likely from a long ago disassembled fountain that once occupied a roundabout intersection on the Champs Elysées in Paris has appeared at auction. An R Lalique Bird so rare, it is not shown in the Catalogue Raisonne (except in a photo of the fountain) even as a drawing; though the mate to this bird, the head down pigeon does appear as a drawing in the Catalogue. See page 871 of the 2004 edition.
The R Lalique Art Deco style Pigeon is quite large, measuring 35 cm in length and 22 cm high.
Might be worth taking a flyer** at the current price of around $1140, and maybe some distance north of that amount as well. 🙂 As usual, check it out and satisfy yourself before bidding, not just on the piece, but on the terms (a big bird for international shipping that won’t fly itself to your house)! See our 
In the early 1920’s, the Prince headed off to Paris for military studies. There he was seriously injured in a car accident in 1923. His wife came to Paris to help nurse him back to health, and they both were still in Paris in 1925 when the 1925 Exposition Internationale Des Arts Decoratifs took the world by storm. Apparently, it took the Asaka family by storm as well, and the new art deco style, decoratif art in everyday life, caught their fancy.
In 1929, they began work on an Art Deco residence in Tokyo that was completed in 1933. While the Ministry of Imperial Household oversaw the design and construction, the input of several of the great French decorative arts practitioners, notably Rene Lalique, and to a larger degree Henri Rapin (to whom the Prince entrusted the interior design of 7 of the rooms), made the house a model of modernist art deco restraint and style. The architectural contributions of Rene Lalique included the glass panel doors, and the chandeliers in the dining hall and grand guest room.
In 1906, James Oviatt left Salt Lake City and headed to Los Angeles to make his fortune. 5 years later in 1911, he partnered up with Frank Alexander to create what would become THE high end fashionable clothing store in Los Angeles: Alexander and Oviatt.
Oviatt and his wife lived on the top of the building, in a 10 room penthouse with two floors of outdoor terraces that became famous not just for the parties and the celebrities that frequently visited there, but also for the magnificent R Lalique glass which can still be found there to this day. The Penthouse terraces had a pool, tennis courts, a sand beach, a putting green, and gardens. Everyone from Howard Hughes to Errol Flynn frequented the penthouse. It was in its day, and it remains 80 years later, an amazing place. The Oviatts lived in the penthouse for nearly 50 years until the mid 70’s.
Recently, the penthouse has been magnificently restored, and can be rented for weddings, parties, etc. The original roof top pool is gone, but you can party there both indoors and out with no curfew on your live music. Rumor is that the penthouse is also rented from time to time by LA celebs wanting privacy and an in town get-away. Here is a link to a 
As the building is in the National Register of Historic Places, here is a link to added information at the 