The modern Lalique Company has reproduced the Rene Lalique Bacchantes Vase in crystal basically continuously since production of Lalique crystal began after the end of World War II. These crystal reproductions have continued to bring this iconic Rene Lalique design into the homes of tens of thousands of people worldwide even to this day.
The Bacchantes Vase has been reproduced most commonly in clear and frosted crystal, but also yellow amber and gray colored crystal as well.
Unfortunately, some of these modern crystal vases have appeared with altered signatures and sometimes added patinas to be passed off as original R Lalique Bacchantes Vases. By far the most common vase seen in this altered state has been the clear and frosted version. And this has created problems for unsuspecting collectors of the works of the great Rene Lalique.
But little known is the fact that the Bacchantes was also reproduced after the death of Rene Lalique in opalescent crystal, appearing with the signature LALIQUE CRISTAL FRANCE! Pictured here is just such a vase and two photos of the signature. One of these crystal opalescent versions appeared at the U.S. Antiques Roadshow in August 2003 in Oklahoma City that aired in March of 2004, and we thought bringing this to your attention would be a good opportunity to talk about the existence of these crystal reproductions and give a little information and advice about what to look out for.
A modern opalescent Bacchantes Vase has also appeared with a typical script Lalique France signature, and bearing all the other signs of post-war production as discussed below.
The hallmark of the post-war crystal reproduction Bacchantes is that the bottom of the vase is flat and does not have the concave (indented) center section to the underside of the base that is found on original Rene Lalique Bacchantes. This is the key point to look out for. R. Lalique collectors should avoid any flat bottom Bacchantes Vase no matter what the signature says.
But the next point: It is possible to alter a flat bottom vase and polish out a concave center section to the underside of the base. It’s a lot of work and will involve some expense and some risk, but the stakes are high, with the original R Lalique vases being worth much more than the post-war crystal reproductions. At the time this article was originally written it said: “We have not seen such a vase, but technically it is possible and just something to keep in mind.” However, we have seen several such vases in the years since this article originally appeared. We have seen modern colored Bacchantes that were altered by experienced glass workers from the Alsace region of France, including making the bottoms concave and adding forged pre-war signatures. The perpetrators were apparently caught but not until after some number of forged Bacchantes had made their way to the market. Those expertly altered and forged vases are almost certainly still out there in various collections and will appear in the future.
And the fact that experienced glass workers knew to alter the bottoms to make them concave to be convincing as pre-war? That kind of proves our point.
Once you are past the flat bottom (see photo on left for an authentic Rene Lalique Glass Bacchantes Vase concave underside), all the regular general rules of evaluation apply. Three sample criteria to keep in mind are:
1. Crystal is heavier than glass, and it feels different. Your best defense is to have handled thousands of pieces of R Lalique so you might know just by handling if you have an original glass version, or a later crystal reproduction.
2. An equally good defense, especially with the amounts of money involved, is to hire an independent reputable Rene Lalique Expert Consultant to evaluate or locate potential purchases. Getting independent advice from a reputable source flows nicely to our third sample criteria:
3. Deal with an honest and competent seller!!! Dealing with an honest and competent seller is not the end of all potential problems, but if you have a choice, an honest and competent seller is the way to go. Not starting out every purchase having to think about how the seller is trying to get one over on you* does provide some assurance and makes the collecting experience a lot more enjoyable. Of course when buying online or making one-off purchases thru similar methods, you may not know much about the seller and we highly recommend in any event getting as educated as you can and spending your time focusing on the item you plan to purchase.
But if you know your seller or dealer makes a living selling R Lalique, then you definitely want to be dealing with someone that is both honest and competent. And when you combine dealing with an honest and competent seller with getting independent expert advice from a reputable consultant, you have drastically reduced the chance to have regrets and you are much more likely to obtain high quality examples at fair prices and build a great collection in a much more pleasant way.
And if you want to know more about Lalique Crystal, the crystal items made after the death of Rene Lalique, a good starting point is the Lalique Crystal section of the Rene Lalique Biography at RLalique.com. There you’ll find links to all the information on RLalique.com about Lalique Crystal, and also a link to the website of the modern crystal maker Lalique S.A.
*to get one over on you – to try and slip something by you, to dupe, trick, fool, or deceive you. On the other side of the pond there are similar expressions with similar meanings in use in different parts of the country – “get over on you”, “to have you off”, or “to have you on” are three examples.
**strong suit – something at which one excels
This announcement, follows through with the previously released strategy to join 
Maz Zouhairi, CEO of Lalique – North America and now CEO of Haviland’s North American operations was quoted as follows: “The initiatives surrounding this partnership solidify a stronger presence for both Lalique and Haviland as we position both brands for future growth.”
Lalique and Haviland Join Forces and Open A Joint Flagship Store in London: A renewal of old ties between the family name of Rene Lalique and the family name of David Haviland was cemented in London recently, with the opening of the new Lalique Haviland joint flagship store on Conduit Street. This store name recalls ties between these two great families that go back to 1916.
In 1892, Lalique had a daughter by his second wife, whom they named Suzanne. Suzanne became an accomplished designer and painter in her own right, without any formal art training. Growing up as close to the great Lalique as one can get, was all the training required. Her vase designs cover two pages in the 
As things would have it, in 1916 Suzanne met the photographer Paul Haviland, the son of Charles Haviland, when Paul was slightly older than shown here in an 1884 portrait at age 4 by noted painter Pierre-Auguste Renoir. Paul was an accomplished photographer, and among his other claims to fame, he would be given photo credit for the pictures in the 1932 R.Lalique Catalogue, a fact omitted from the 1981 Dover reprint! Paul was born in Paris, but graduated from Harvard and spent much of his early life in the United States. Having been called back to France to help with the management of the company in 1916, that same year he met and by 1917 would marry Suzanne Lalique. Long story short, Charles died in 1921. Theodore died two years earlier in 1919. The Haviland et Cie family businesses of Charles had lots of problems and became a full employment company for lawyers! Haviland et Cie eventually slipped out of family ownership and was liquidated in 1931, but the Theodore branch of the family continued on with their company under the leadership of Theodore’s oldest son William, who had joined the company in 1903 and who took control upon the death of his father. The Haviland name and company was restored to unity and total family ownership in 1941 under William Haviland, when he and other relatives purchased all the names, designs, and rights of the previously liquidated Haviland et Cie. One interesting point is that from 1942 to 1957, Haviland was produced in Pennsylvania, production having been started up there by William in the chaos that was World War II.
In February of 2008, the Lalique Cristal Company was acquired by the Swiss company 
Lalique Rare Vase Appears With A Good R.Lalique Signature: The Lalique Vase Agadir! Ring any bells? It’s Lalique Vase model number 12.245. It appears in the catalogue right after the Lalique Vase Everest, which of course is number 12.244, and right before the Lalique Vase Vincennes, number 12.246. But the catalogue is not the Catalogue Raisonne. It’s a 1950’s Lalique Cristal-Paris catalogue. But here it is, in the flesh (a LOT of flesh we might add), with what by all appearances is a good R.Lalique signature. And this sure seems like the sister vase to the Cristal Lalique Vase Paimpol (shown in the last photo below), which is model number 12.240, and which appears in the book Lalique Glass, by Nicholas Dawes on Page 105! As you have likely surmised, this excellent book, among its other virtues, is the favorite Lalique book of Mr. Dawes! Mr. Dawes states in the book that the Paimpol vase had a wheelcut R.Lalique signature. And we have word coming out of a meeting of Oracles held to discuss this very subject, that one of the Oracles that participated in the meeting confirmed beyond doubt the authenticity of the R.Lalique signature on the Paimpol Vase!